Allan Johnson

Professor Allan Johnson


Professor of English Literature
BA (Baldwin-Wallace), MA (Leeds), PhD (Leeds)
+441483 683122
11 AD 02

About

Areas of specialism

Literary modernism; Modernism and mass culture; Esotericism; Psychoanalysis and psychoanalytic literary theory; Contemplative studies; Narrative theory

My qualifications

PhD, English Literature
University of Leeds
MA, Twentieth-Century Literature
University of Leeds
BA, English with Art History
Baldwin-Wallace College

Previous roles

2013 - 2016
Assistant Professor of English Literature
City University of Hong Kong
2012 - 2012
Associate Lecturer
Birkbeck, University of London

Affiliations and memberships

Fellow
Royal Society of Arts
Associate Fellow
Higher Education Academy

News

In the media

2021
Guest
BBC Radio 3 - Free Thinking
2017
Guest
BBC Radio 3 - Free Thinking

Research

Research interests

Supervision

Completed postgraduate research projects I have supervised

Teaching

Publications

Highlights

  • The Sacred Life of Modernist Literature: Immanence, Occultism, and the Making of the Modern World (London: Bloomsbury Academic, 2022; softcover 2024).
  • Masculine Identity in Modernist Literature: Castration, Narration, and a Sense of the Beginning, 1919-1945 (London: Palgrave Macmillan, 2017; softcover 2019).
  • Alan Hollinghurst and the Vitality of Influence (Basingstoke: Palgrave Macmillan, 2014; softcover 2016).
  • 鈥楥ontingency and the Categorical Imperative in Iris Murdoch鈥檚 Under the Net鈥, Critique: Studies in Contemporary Fiction.
  • 鈥楬istoriographic Metatheatre and Narrative Closure in Pippin鈥檚 Alternate 鈥淭heo Ending鈥濃, Journal of American Drama and Theatre, (2024) 37:1.
  • 鈥樷淎 little bit naughty鈥: The Logotherapeutic Process in Tim Minchin鈥檚 Matilda the Musical鈥, Studies in Musical Theatre, (2023) 17:2, 95-105.
  • 鈥業ntermodernism and the Ethics of Being Late in Evelyn Waugh and Harold Acton鈥, English Studies, (2023) 104:1, 120-133.
  • 鈥楾he Modernist Afterlives of Theosophy鈥, The Edinburgh Companion to Modernism, Myth, and Religion, eds. Suzanne Hobson and Andrew Radford (Edinburgh: Edinburgh University Press, 2022).
  • 鈥楤ernard Shaw鈥檚 Gnostic Genius鈥, SHAW: The Journal of Bernard Shaw Studies, (2021) 20:2, 35-49.
  • 鈥楾he Multiple Mobilities of Civil Rights in Jeanine Tesori鈥檚 Violet and Caroline, or Change鈥, Studies in Musical Theatre, (2020), 14:3, 243-543.
  • 鈥楧ecadence in the Time of AIDS鈥, Decadence: A Literary History, ed. Alex Murray (Cambridge: Cambridge University Press, 2020).
  • With Didi Udofia, 鈥楿sing Mindfulness Meditation Techniques to Support Peer-to-Peer Dialogue in Seminars鈥, Enhancing Student-Centred Teaching Through Student-Staff Partnerships, eds Karen Gravett, Nadya Yakovchuk, and Ian Kinchin (London: Palgrave Macmillan, 2020).
  • 鈥樷淸God] is a flaming Hebrew letter鈥: Esoteric Camp in Angels in America鈥, Literature and Theology (2019), 33:2, 206-222.
  • 鈥樷淎 gay story, a history鈥: Gay Male Liberation and Queer Rumination鈥, Accelerated Times, Volume 5: British Literature in Transition, 1980-2000, eds Berthold Schoene and Eileen Pollard (Cambridge: Cambridge University Press, 2019).
  • With Aren Roukema, 鈥楾ime to Drop the 鈥淲estern鈥濃, Correspondences: Journal for the Study of Esotericism (2018), 6:2, 109-115.
  • 鈥楾he Pleasure of Conspicuous Leisure in Sister Carrie and The House of Mirth鈥, English Studies, (2017) 98:8, 968-977.
  • 鈥楾.S. Eliot and the Modernist Thunderbolt鈥, The Startling New, ed. Mary Pat Brady (Detroit: Gale, 2017).
  • 鈥楢rchitectural Space and the Failures of 鈥楥omplete鈥 Houses in Heartbreak House鈥, SHAW: The Journal of Bernard Shaw Studies, (2016) 36:2, 203-14.
  • 鈥樷淭he doors would be taken off their hinges鈥: Space, Place, and Architectural Absence in Virginia Woolf鈥, English Studies, (2016) 97:4, 412-419.  
  • 鈥楧esigning 鈥淎uthenticity鈥 in Digital Learning Environments鈥, Journal of Interactive Technology and Pedagogy, (2016) 9.
  • 鈥楾hresholds of Interpretation: Identifying, Producing, and Supporting with The Turn of  the Screw鈥 CEA Critic (Journal of the College English Association) (2015) 77.2, 196-210.
  • 鈥楾he Authentic and Artificial Histories of Mechanical Reproduction in Doctorow鈥檚 Ragtime鈥, Orbis Litterarum, (2015) 72:2, 89-107.
  • 鈥業t鈥檚 Vestimentary, My Dear Watson: Fashion, Disguise, and Criminality in Sherlock鈥, Film, Fashion and Consumption, (2014) 4:2, 115-127.
  • 鈥楤uried Temples and Open Planes: Alethea Hayter, Alan Hollinghurst, and the Architecture of Drug-Taking鈥, Textual Practice, (2013), 27:7, 1177-1195.
  • Review of Gregory Currie, Narratives and Narrators: A Philosophy of Stories, in Notes and Queries, (2011), 58:3.
  • 鈥楢rtistic Excision and Scientific Production in Cather鈥檚 The Professor鈥檚 House鈥, The Explicator, (2010), 68:2.   
  • Review of Madelyn Detloff, The Persistence of Modernism: Loss and Mourning in the Twentieth Century, in Notes and Queries, (2010), 57:2.
  • 鈥榁oices and Language in T.S. Eliot鈥檚 The Waste Land鈥, T.S. Eliot, ed. John Paul Riquelme (Ipswich: Salem Press, 2009).
  • 鈥楢mbrose Silk, The Yellow Book, and The Ivory Tower: Influence and Jamesian Aesthetics in Put Out More Flags鈥, Evelyn Waugh Studies, (2009), 40:2.
  • 鈥楳odernity and Anxiety in Bram Stoker鈥檚 Dracula鈥, Dracula, ed. Jack Lynch (Ipswich: Salem Press, 2009).
  • Review of Nicholas Freeman, Conceiving the City: London, Literature, and Art 1870- 1914,  in Notes and Queries, (2009), 56:1.
  • 鈥樷淵ou are not, not, not to look at your Baedeker鈥: Renovation of Space and the Mediating Presence of Baedeker鈥檚 Northern Italy in E.M. Forster鈥檚 A Room with a View鈥, Origins of English Literary Modernism, 1870-1914. ed. by Gregory Tague (Palo Alto, CA.: Academica, 2008).
  • Review of Ferdinand Saumarez Smith, Eleusis and Enlightenment: The Problem of the Mysteries in Eighteenth-Century Thought, Journal of Religious History.